Ten Questions for 2024 AIA Minnesota Gold Medal Recipient Ann Voda, AIA
The architect reflects on the value of true collaboration with clients and community stakeholders
Interview by Joel Hoekstra | February 20, 2025
Ann Voda, AIA, at the 2024 AIA Minnesota Awards Celebration in November. Photo by Chad Holder.
FEATURE
Ann Voda, AIA, has built a remarkable career spanning three decades in Minnesota. As president and principal owner of Minneapolis-based BTR Architects, she has led dozens of award-winning projects. But among her peers, she is best known for her unflagging support of the local design community.
Voda was recently awarded the 2024 AIA Minnesota Gold Medal. The accolade, given biennially, recognizes individuals who have made enduring contributions to the field of architecture. Her leadership roles within AIA Minnesota include serving as president of both AIA Minneapolis and AIA Minnesota as well as extensive committee and task force work.
BTR has been Voda’s home since 1994. Earlier this year, the firm merged with Minneapolis firm Miller Dunwiddie, but Voda doesn’t plan to retire quite yet. (“I’ve still got a few miles in me,” she quips.) Here, she talks about her career in—and support of—architecture.
What drew you to architecture as a career?
From a young age, I had interests that seemed to converge naturally in architecture. I loved math and science but was also the kid hanging out in the art room. One day, a science teacher saw me painting and said, “If you like art and science, you should be an architect.” That stuck with me. My dad, being an engineer, also influenced me—though I had a more romanticized vision of architecture, sitting at a drafting table with sunlight streaming through the window. At the time, I didn’t fully grasp the full scope of the profession.
Photos 1–3: Fergus Falls Public Library. Photo 4: Schoenecker Commons at the College of St. Benedict. Photos 5 and 6: Hennepin County Plymouth Library. Photos 7 and 8: Hennepin County Eden Prairie Library. Photos 9 and 10: Minnesota State Veterans Cemetery–Preston. Photo 11: Red Wing Central Park Band Shell. Photos 1–4 by Anthony Gilbert of Gaffer Photography. Photos 5 and 6 by Philip Prowse. Photos 7–11 by Peter J. Sieger.
How did your early projects shape your career?
One of my first big projects was an academic library, and it turned out to be a five-year-long master class in architecture. I was lucky to work with a brilliant librarian who taught me the intricacies of academic libraries and design programming. Balancing her vision with the needs of the finance VP was a challenge, but it taught me how to manage diverse stakeholders and navigate public engagement processes. Those early lessons stuck with me.
Why libraries? Was that a deliberate choice or serendipity?
It was both luck and by design that I was able to work in firms with the same interest in serving clients who in turn serve the community. So, it wasn’t just libraries but also parks, service centers, and college campuses. Over time, I developed a real passion for libraries as public-serving spaces that engage communities in a meaningful way. At BTR, libraries became a cornerstone, not just because they’re rewarding but because they align with our mission.
What’s the most memorable project you’ve worked on?
The Fergus Falls Public Library stands out for its collaborative spirit. It started with a challenge in the RFP written by the librarian that spoke directly to our values: community engagement, sustainability, and thoughtful design. The project was a true partnership with local stakeholders, including artists who acted as architectural critics. It was a perfect example of how inclusive processes lead to better outcomes.
Over the years, you’ve been a vocal advocate for AIA Minnesota. What motivated you to get involved?
Minnesota’s architectural community is unique. When I returned to Minnesota in the mid-1990s after working in Massachusetts, I noticed how firms here genuinely support each other, even if we’re competitors. During the 2008 recession, for example, firms came together to brainstorm ways to survive and retain talent. That camaraderie—a “rising tide lifts all boats” mentality—is something I’ve always appreciated.
Photo by Chad Holder.
How has architecture changed since you started?
The profession has become much more inclusive and collaborative. When I started, it felt like a closed club, dominated by white men and hierarchical processes. Today, there’s a genuine effort to engage communities and integrate their input into design. Sustainability has also reshaped the field. The 2030 Challenge was a turning point, emphasizing that architecture must serve a broader purpose beyond aesthetics.
What do you enjoy most about the architectural process?
I love the early stages of a project. Meeting stakeholders, doing programming, and laying the groundwork for communication and collaboration is where I thrive.
What’s your “superpower” as an architect?
I think my superpower is truly hearing people. Whether it’s a client’s vision, a stakeholder’s concern, or a colleague’s critique, I make it a point to understand what they’re saying. That ability to listen and synthesize diverse perspectives helps me bring people together and create solutions everyone can support.
How do you see architecture evolving?
Architecture is broadening its scope. Today, we’re not just designing buildings; we’re creating solutions that address social, environmental, and economic challenges. The rise of specialists in areas like acoustics, sustainability, and community engagement reflects this shift. It also means architects are increasingly leading multidisciplinary teams, requiring us to adapt and expand our skill sets.
What advice would you offer younger architects?
Focus on building relationships. Architecture is as much about the people you’re making it with as it is about buildings.
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